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Jimi Hendrix Encyclopedia

Did you see Jimi Hendrix in concert? Did you meet Jimi Hendrix or have the opportunity to interview him or have some other unique, first-person encounter with Jimi Hendrix? If so, Experience Hendrix wants to hear from you.

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August 07, 1968

A mid-day session at the Record Plant yields some additional mixes of “Long Hot Summer Night,” none of which are tagged as a final version. Linda McCartney photographs the Experience in New York’s Central Park. Several small children are gathered and hang-out with Jimi, Mitch, and Noel on the Alice In Wonderland statue in the heart of Park. Hendrix later chooses these photographs for the cover of the forthcoming Electric Ladyland double-LP.

Jimi Linda McCartney Long Hot Summer Night Mitch Noel Record Plant Recording

August 27, 1968

The Experience return to the Record Plant to put the finishing touches on their forthcoming release, Electric Ladyland. Work on “Gypsy Eyes” on this night focused on the flanging effects, which had studio engineers Eddie Kramer and Gary Kellgren physically putting pressure on the flange reel of the tape deck during recording. While Hendrix and Kramer labored over the master tape for Electric Ladyland, Kallgren, Mitchell and Redding recorded twelve-takes of Redding’s own composition, “How Can I Live,” which later appeared on the debut release for Redding’s new band, Fat Mattress. With only one more track required to complete the album, the group turned to Earl King’s “Come On (Part One)” to fill the final track. After fourteen takes, the final take was selected as the basic track for the album. Electric Ladyland was now complete.

eddie kramer Electric Ladyland Gary Kellgren Gypsy Eyes Record Plant Recording the experience