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Recording for “Three Little Bears” would take place at the Record Plant, where Steve Winwood, Jack Casady and a host of others visited the group. Although Hendrix originally coined the title, “Cherokee Mist” for the session, he later settled on “Three Little Bears” as its final working title. Throughout the session, Jimi developed a jazzy rhythm pattern that would eventually become “South Saturn Delta.” As the session progressed, Hendrix and bassist, Noel Redding get into a heated argument about the number of people in the studio. In his autobiography, Are You Experienced? Redding says, “There were tons of people in the studio – you couldn’t even move. It was a party not a session. He just said, ‘Relax man…’ I’d been relaxing for months, so I relaxed my way right out the place, not caring if I ever saw him again.” Taking a break from the session Hendrix leads an entourage to their local hangout at the Scene Club for some fun. Afterwards, Hendrix, Mitch Mitchell, Eddie Kramer, Winwood, Casady, Larry Coryell and others, return to the Record Plant to jam. These jams would become the foundation of “Voodoo Chile.” A number of recordings with Winwood and Casady participating were laid to tape on this night, with 3 of the takes being fused together as “Voodoo Chile Blues,” which was released on MCA’s 1994 release – :Blues.
Larry Coryell (playing 12-string guitar) joins Noel Redding, at this early morning session at the Record Plant for the recording of his self-penned number, “Little, Little Girl.” A rough mix of the recording was also produced during the session. Later, Hendrix and Kramer prepare rough mixes of “Voodoo Child (Slight Return)” and “House Burning Down.”
Fusion guitarist, Larry Coryell jams with Hendrix at the Scene Club.