Did you see Jimi Hendrix in concert? Did you meet Jimi Hendrix or have the opportunity to interview him or have some other unique, first-person encounter with Jimi Hendrix? If so, Experience Hendrix wants to hear from you.
Jimi Hendrix
Update Required
To play the media you will need to either update your browser to a recent version or update your Flash plugin.
SIGN UP FOR THE
Jimi Hendrix
Newsletter
Jimi Hendrix Encyclopedia
Popular Tags
Search Results
February 03, 1967
Tape Log: Purple Haze The studio sessions on February 3rd marked The Experience’s first foray into Olympic Studios and their first time working with engineer Eddie Kramer. This initial session saw Hendrix return to the January 11th masters for “Purple Haze” to record some additional overdubs. This initial “Purple Haze” session at Olympic foreshadowed just how creative and cutting edge the team of Hendrix, Chas Chandler and Eddie Kramer would become in the months that followed. This recording session also marked one one of the first times that Hendrix recorded in the studio with Roger Mayer’s experimental Octavia effects pedal.
1967 February February 3 Greater London London Olympic Studios Recording Studio Recordings United Kingdom
February 07, 1967
Jimi Hendrix returns to Olympic Studios to complete further work on “Purple Haze” alongside Chas Chandler and Eddie Kramer. Noel Redding contributes some of the background vocals during this session.
Tape Log: Purple Haze
1967 Barnes February February 7 Greater London Jimi Hendrix Olympic Studios Recording Studio Recordings United Kingdom
February 08, 1967
The Experience returned to Olympic Studios where the group completed a final mix on their new single “Purple Haze.” Afterwards, the trio revisited the four-track master for “Fire” which was previously worked on at DeLane Lea Studios. In the end, the original DeLane Lea track was basically replaced with new work. “Foxey Lady” received similar treatment, this time revisiting the December 13, 1966 tapes that were conceived at CBS Studios. By the end of the night, a final mix was in hand.
Tape Log: Purple Haze // Fire // Foxey Lady
1967 Barnes February February 8 Greater London Olympic Studios Recording Studio Recordings United Kingdom
April 03, 1967
The Experience returned to London’s Olympic Studios to continue work on their debut album. This significant session resulted in new recordings, overdubs on some unfinished compositions and final mixes for several tracks.
The group focused their initial attention to recording “Highway Chile,” with the 8th and final take being flagged as the master. Work then began on “Waterfall” (as originally marked on the tape box). Studio engineer Eddie Kramer later prepared a four-to-four mix of the 4th take during which time the song was retitled as “May This Be Love.”
Hendrix then focused his attention on “Title #3” and later “Title #4” which eventually became “Are You Experienced?” Despite the the complexities of these recordings, the full song “Are You Experienced?” was completed start-to-finish in this one session.
Before the session came to a close, final mixes were prepared for “May This Be Love,” “Are You Experienced?” and “I Don’t Live Today.”
The stunning initial take of “Title #4” [“Are You Experienced?”] was included on the 2010 Box Set West Coast Seattle Boy as was one of the outtakes of “May This Be Love.”
Tape Log: Highway Chile // Waterfall [aka May This Be Love] // Title #3 // Title #4 [aka Are You Experienced?] // I Don’t Live Today
1967 April April 3 City of London Greater London Olympic Studios Recording Studio Recordings United Kingdom
April 04, 1967
Returning to London’s Olympic Studios, an additional four-track-to-four-track reduction mix was created for “Are You Experienced?”
Later the group revisited the January 11, 1967 recordings of “Third Stone From The Sun” before redirecting attention to creating both mono and stereo mixes of “Highway Chile.” The mono mix was eventually held back and included alongside a stereo mix of “The Wind Cries Mary” as the trio’s third single in the United Kingdom.
Before the session was completed, Hendrix focused once again on the work completed in December 1966 on the song, “Love Or Confusion” which resulted in a final mix being produced and later included on the debut release of Are You Experienced.
Before the session ended, the group worked on the B.B. King inspired “Here He Comes,” before putting that aside to focus on complete mixes of songs they had earmarked for the new album.”
Tape Log: Are You Experienced? // Third Stone From The Sun // Highway Chile // Love Or Confusion // Here He Comes
1967 April April 4 City of London Greater London Olympic Studios Recording Studio Recordings United Kingdom
April 10, 1967
Returning to Olympic Studios, Manager Chas Chandler guided The Experience back through the April 4th recordings of “Third Stone From The Sun.”
The session featured two non-musical tracks called described on the tape boxes as “Wild Chat” and “Noises” which featured Hendrix and Chandler talking through a variety of science fiction inspired passages. “Noises” featured Hendrix talking about the markings that Engineer George Chkiantz had made on the tape boxes that evening.
Several segments of these recordings, including the classic, “and you’ll never hear surf music again…” were incorporated into the final mix of “Third Stone From The Sun.”
Tape Log: Third Stone From The Sun // Wild Chat // Noises
1967 April 10 Chas Chandler City of London Greater London Olympic Studios Recording Studio Recordings United Kingdom
April 25, 1967
Beginning late in the evening of April 24th and through the early hours of April 25th, Hendrix joined Chas Chandler and Eddie Kramer at Olympic Studios to work on final mixes (stereo and mono) for several songs slated for inclusion on Are You Experienced, including: “Foxey Lady,” “Manic Depression,” “May This Be Love,” “Fire,” “Remember,” “Third Stone From The Sun,” and “Love Or Confusion.”
Tape Log: Foxey Lady // Manic Depression // May This Be Love // Fire // Remember // Third Stone From The Sun // Love Or Confusion
1967 April April 25 Chas Chandler City of London eddie kramer Greater London Jimi Hendrix Olympic Studios Recording Studio Recordings United Kingdom
January 21, 1968
The Experience returns to Olympic Studios to record “All Along The Watchtower,” which features Dave Mason on 12-string acoustic guitar and Brian Jones on percussion. The session started with Jones contributing on piano, but these recordings were not released.
All Along The Watchtower Brian Jones Dave Mason Olympic Studios Recording the experience
February 16, 1969
Olympic Studios London, England Slow (Ezy Ryder) Room Full Of Mirrors Shame, Shame, Shame Crying Blue Rain Tax Free Sunshine Of Your Love Here He Comes (Lover Man)
February 17, 1969
Olympic Studios London, England Fire I Don’t Live Today Spanish Castle Magic Hear My Train A Comin’ Lover Man Red House The Experience recorded an inspired rehearsal for their February 18 Albert Hall performance on this night. Two recordings from this session, “Spanish Castle Magic” and “Hear My Train A Comin’” were highlights of the Jimi Hendrix Experience box set.
February 20, 1969
Olympic Studios London, England Hendrix attends but does not participate in a recording session for the group Glass Menagerie. Chas Chandler is the Producer for the session.
February 22, 1969
February 22, 1969 Olympic Studios London, England Hound Dog Go My Own Way
England Go My Own Way Hound Dog London Olympic Studios Recording
February 26, 1969
February 26, 1969 Olympic Studios London, England Gypsy Blood Jam With Horns Noel’s Tune
March 07, 1969
Hendrix visits Noel Redding at Olympic Studios during a recording session for Fat Mattress. Later that evening, Jimi Hendrix travels to Ronnie Scott’s to enjoy an evening of performances by Roland Kirk & His Quartet.
March 17, 1970
Olympic Studios, London Studio Recording Hendrix returned to Olympic Studios, the recording facility where his first two albums Are You Experienced and Axis: Bold As Love were recorded to record with Love. Invited by Love founder Arthur Lee to contribute to their album, Hendrix and percussionist Remi Kabaka joined Love in recording “The Everlasting First,” which would later be issued as part of False Start (Blue Thumb, 1970). In addition, Hendrix took part in an extended instrumental jam session as well as a version of his own composition, “Ezy Ryder.”
Are You Experienced. Bold As Love Arthur Lee Ezy Ryder Olympic Studios Recording Remi Kabaka The Everlasting First