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January 2, 1970 Alfred Aronowitz of The New York Post had interviewed Hendrix at the Fillmore East the previous day and his article was published in the January 2, 1970 edition.

Alfred Aronowitz of The New York Post had interviewed Hendrix at the Fillmore East the previous day and his article was published in the January 2, 1970 edition. “Jimi had chosen the New Year, and as he put it, the new decade to unveil his new trio… What’s the reason for the change?

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January 7, 1970 Hendrix returned to the Record Plant

Record Plant, New York Studio Recording Stepping Stone Cherokee Mist Hendrix returned to the Record Plant (321 West 44th Street, New York City) for a session that resulted in three takes of “I’m A Man,” (“Stepping Stone”) and one take of “Cherokee Mist” being put to tape.

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January 16, 1970 Jimi began the evening with Eddie Kramer at Juggy Sound.

Juggy Sound, New York Studio Recording Record Plant, New York Studio Recording Send My Love To Linda Power Of Soul Burning Desire Jimi began the evening with Eddie Kramer at Juggy Sound. The two continued in their effort to craft a live album from the four Fillmore East performances.

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January 20, 1970 A vibrant session which featured Hendrix revisiting the December 19, Record Plant recording of “Message To Love.”

Record Plant, New York Studio Recording Message To Love Stepping Stone Earth Blues Ezy Ryder A vibrant session which featured Hendrix revisiting the December 19, Record Plant recording of “Message To Love.” The group completed a series of overdubs for this track including the recording of a new lead guitar part by Hendrix.

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January 21, 1970 Hendrix joined Cox, and Miles at the Record Plant for an extended session

Juggy Sound, New York Studio Recording As had been the case since mixing sessions began on January 14, Hendrix and Kramer huddled at Juggy Sound to continue their work on Band Of Gypsys. Record Plant, New York Studio Recording Message To Love Stepping Stone Earth Blues Ezy Ryder Following his work at Juggy, Hendrix joined Cox, and Miles at the Record Plant for an extended session that began with fourteen takes of “Power Of Soul” (still referred under the working title of “Crash Landing”) put to tape, and although takes 2, 4, and 6 were complete, no master track was flagged.

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