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February 11, 2011
Feb
11
Hendrix and friends, including The Doors’ Jim Morrison jam at The Scene Club (301 West 46th Street) in New York. Among the songs performed are “Red House,” “I’m Gonna Leave This Town,” “Bleeding Heart,” “Tomorrow Never Knows,” and “Sunshine Of Your Love.”
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November 9, 2010
Nov
9
Record Plant, New York Studio Recording 1) Room Full Of Mirrors 2) Crash Landing 3) Bleeding Heart These recordings represent Billy Cox’s first studio session with Jimi. For their explorations of “Room Full Of Mirrors”, “Crash Landing” and “Bleeding Heart”, Hendrix and Cox were joined by drummer Rocky Isaac and percussionist Al Marks.
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October 29, 2010
Oct
29
Record Plant, New York Studio Recording 1) Hear My Train A Comin’ 2) Villanova Junction 3) Earth Blues 4) Untitled Blues 5) Jam With Buddy Miles On Guitar 6) Earth Blues 7) Bleeding Heart Jimi returned to the Record Plant to record with Billy Cox, Buddy Miles, and an unnamed conga player.
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October 28, 2010
Oct
28
Record Plant, New York Studio Recording Ezy Ryder Message To Love Bleeding Heart A long and productive evening of rehearsing and recording for Hendrix, Cox, and Miles. It is not known which session came first, but the Band Of Gypsys spent time on this day at Baggy’s Studios, a makeshift rehearsal facility, and the Record Plant.
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October 28, 2010
Oct
28
Hendrix and attorney Henry Steingarten conduct a telephone conversation surrounding the issues of November 10th. A follow-up letter is sent to Hendrix on December 24 that further outlines the decisions made during the conversation. Record Plant, New York Studio Recording Honey Bed Technical problems hindered Hendrix’s progress on this night.
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October 28, 2010
Oct
28
Hendrix began this session joined by an unidentified drummer [likely Steve Angel] and together the two players recorded a quick rendition of “Bleeding Heart”. This was followed by three takes of “Midnight Lightning.” Bassist Billy Cox joined the session and s the tandem ran through four takes of “Bleeding Heart,” the later of which was flagged as the master and later transferred to Jimi’s own Electric Lady Studios where additional guitar and a new drum part were overdubbed by Jimi and Mitch Mitchell.