Returning to Electric Lady, Jimi continues to work on rough mixes for “Night Bird Flying,” “Straight Ahead,” “Drifter’s Escape,” “Ezy Rider,” “Come Down Hard On Me,” “Beginnings,” “Cherokee Mist,” “In From The Storm,” “Valleys Of Neptune,” “Astro Man,” and “Belly Button Window” overdubs.
The session kicks off with a short, slow blues jam but is cut short due to a malfunctioning tape machine. When the system is repaired Hendrix begins to work on a series of rough mixes for “Straight Ahead,” “Room Full Of Mirrors,” “Ezy Rider,” “In From The Storm,” “Drifting,” “Angel,” “Belly Button Window,” “Dolly Dagger,” and “Freedom.”
Back at Electric Lady Studios, Jimi once again worked on “Night Bird Flying,” “Straight Ahead,” “Astro Man,” Freedom,” and “Dolly Dagger.”
Returning once again to Electric Lady, Hendrix enthusiastically kicked off the session right where the prior night’s left off. In visiting “Straight Ahead” Hendrix, Billy Cox, and Mitch Mitchell concentrated on forming a new master take of the song. The trio then moves to recordings for “Astro Man.”
Back at Electric Lady Jimi records the master takes of “Night Bird Flying” and “Straight Ahead.” Joined by percussionist Juma Sultan these sessions proved to be among his most productive in the post-Electric Ladyland days. He follows these recordings with takes of “Beginnings,” “Freedom,” and a loose recording simply titled “Messing Around.”
