The Experience complete rough mixes for “Three Little Bears,” “Voodoo Chile,” and “Long Hot Summer Night” during sessions at the Record Plant. Jimi also returned to the April 22 recordings of “1983 (A Merman I Should Turn To Be)” by adding a series of new recordings that were later added as edit sections to create a single, unified master.
Returning once again to the Record Plant, the Experience prepare a rough mix of “House Burning Down” but later mark it ‘Don’t Use’ and discard it. Overdubs, including Jimi’s lead guitar part for Redding’s “Little Miss Strange” are completed, as is the final mix of the track.
The Experience work at the Record Plant in New York City. During the session, the group creates the basic track for “House Burning Down” and complete the recordings of “Gypsy Eyes” with take 5 being marked as ‘complete.’ The group also revisit “Tax Free” with Hendrix playing his guitar through a Leslie speaker on two of the takes; the later being marked as ‘use.’
The Experience perform at the Cincinnati Gardens in Ohio. The Jimi Hendrix Experience perform at Cincinnati Gardens in Cincinnati, Ohio on November 15, 1968 Photo: Richard Chase / © Authentic Hendrix, LLC
The Experience return to New York City for few days rest. Several record stores throughout Britain stop selling The Experience’s latest release, Electric Ladyland because of the controversial artwork consisting of 19 naked women on the cover.
The Experience performs at the Municipal Auditorium Arena in Kansas, Missouri where they broke the venue’s attendance record. Their show is supported by Cat Mother & the All Night Newsboys.
The Experience performs at Brown University in Providence, Rhode Island.
The Experience fly to San Francisco to play two shows at the Fillmore Auditorium. The supporting cast includes Albert King, John Mayall’s Bluesbreakers, and Soft Machine. The Experience’s first set consists of: “Red House,” “Purple Haze,” “Foxy Lady,” “Let Me Stand Next To Your Fire,” and “The Wind Cries Mary.”
The Experience fly to New York, where they hold a news conference at the Pan Am Building’s Copter Club. Hendrix is interviewed by Jay Ruby for Jazz and Pop (July 1968); Michael Rosenbaum for Crawdaddy (May 1968); Don Paulsen for Hit Parader (July 1968); Al Aronowitz for the New York Post (February 2); and Life magazine (April 1).
