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November 17 1969 Joined by Billy Cox, Hendrix and Miles returned to the Record Plant studios in New York City to continue work on several new tracks

Joined by Billy Cox, Hendrix and Miles returned to the Record Plant studios in New York City to continue work on several new tracks including “Room Full Of Mirrors,” “Stepping Stone,” and “Ezy Rider.” Second engineer Tom Erdelyi recalls additional recordings being worked on including “Izabella,” “Machine Gun,” “Dolly Dagger,” and “Message To Love.”

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January 7, 1970 Hendrix returned to the Record Plant

Record Plant, New York Studio Recording Stepping Stone Cherokee Mist Hendrix returned to the Record Plant (321 West 44th Street, New York City) for a session that resulted in three takes of “I’m A Man,” (“Stepping Stone”) and one take of “Cherokee Mist” being put to tape.

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January 20, 1970 A vibrant session which featured Hendrix revisiting the December 19, Record Plant recording of “Message To Love.”

Record Plant, New York Studio Recording Message To Love Stepping Stone Earth Blues Ezy Ryder A vibrant session which featured Hendrix revisiting the December 19, Record Plant recording of “Message To Love.” The group completed a series of overdubs for this track including the recording of a new lead guitar part by Hendrix.

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February 1970 Throughout this month, both Mitch Mitchell and Billy Cox joined Hendrix at his 59 West 12th Street apartment in Greenwich Village for exploratory jam sessions.

Throughout this month, both Mitch Mitchell and Billy Cox joined Hendrix at his 59 West 12th Street apartment in Greenwich Village for exploratory jam sessions. Hendrix made a number of home recordings during this period. Hendrix alternated between acoustic and electric guitar as he routined such fare as “Stepping Stone,” “Send My Love To Linda”, “Last Thursday Morning,” “Freedom,” “Bolero”, and the fleeting, twelve-string “Acoustic Demo” featured as part of the Dagger Records release Morning Symphony Ideas.

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